58




1. . Read, Art and Industry, L., 1956, p. 1.
2. Ibid., p. 23.
3. Ibid., p. 36.
4. Ibid., p. 37.
5. 6. Ibid., p. 39.
7. I. Gloag, The Industrial Art Explained, L., 1956.
8. /. Gloag. The Missing Technitian, L., 1944.
9. Ibid., p. 13.
10. Ibid., p. 19.
11. Ibid., p. 25.
12. Ibid., p. 34.
13. /. Gloag, The Missing Technitian, p. 104.
14. /. Gloag, The Industrial Art Explained, p. 16.
15. Ibid., p. 18.
16. Ibid., p. 139.
17. Ibid., p. 139.
18. Ibid., p. 211.
19. F. . Ashford, Designing for Industry, L 1955.
20. Ibid., p. 3.
21. Ibid., p. 11.
22. Ibid., p. 33.
23. Ibid., p. 48.
24. 25. Ibid., p. 193.
26. Ibid., p. 194.
27. Ibid., p. 200.
28. "Domus", 421, 1965.
29. D. Huismant et G. Patrix, L'Esthetique industrielle, Paris, 1961.
30. Ibid., p. 36.
31. Ibid., p. 38.
32. G. Dorfles, Simbolo, Communicazione. Consumo, Torino, 1959. G. Dorfles, Disegno Industriale e la Sua Estetica, Bologna, 1962.
33. "Design", 1963, 6-12.
34. G. Nelson, The Problems of Design, N. Y., 1957, p. 21.
35. Ibid;, p. 27.
36. Ibid., p. 32.
37. '1", 11.
38. G. Nelson, The Problems of Design, p. 33.
39. Ibid., p. 38. | 40. Ibid., p. 42.
41. Ibid., p. 42.
42. "Display", 1956, p. 7. . 43. Ibid., p. 9.
44. 69. , . 8.
45. 85. , . 6.
46. , . 16. 47-49. " ", 1964, 7.
50. "Ulm", 1962, 6.
51. "Ulm", 1964, 10.
52. "Designing for Today", 1935.
53. "Ulm", 1962, 6. 54. . . , , . 18, . 364.